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It is you who took my name, not I yours. 8. She recalled that day of the typhoon and the sloop crashing on the outer reefs. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. With the immediate necessities in train, Melusine fell to brooding on her situation, which she found insupportable.

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