It reminded her of one of the old tales her mother Marina had told her about a sculptor named Farhat. He had his sections of the Siegfried map folded in his pocket, and he squatted up with his legs crossed like an Indian idol while she lay prone beside him and followed every movement of his indicatory finger. “The horse’s knees are broken, and I am not sure that the man is sober. There are cigarettes and magazines in the corner there. She could hear the bell tinkle as the horse shook its head. The manager stared at the empty doorway for a space, shrugged, and returned to his ledgers. Why don’t you go in? Charvill is there.
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