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“Troubles, my friend,” she exclaimed lightly. "Whose child can this be?" "How the devil should I know!" replied Jonathan gruffly. "This," replied Jonathan, taking a paper from a portfolio, and handing it to the knight, "this written evidence, signed by Martha Cooper, the gipsy, by whom the girl was stolen, and who was afterwards executed for a similar crime. It was less will than education. Gianfrancesco’s had curved differently and was darker. Some shadow of reserve seemed to have crept up between them. She shuddered; the room was unfamiliar and unwelcoming.

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