On the right, stood a bulky figure, with a broken rattle hanging out of his great-coat pocket, who held up a lantern to his battered countenance to prove to the spectators that both his orbs of vision were darkened: on the left, a meagre constable had divested himself of his shirt, to bind up with greater convenience a gaping cut in the arm. On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded. “I can’t imagine what has come over you,” said her aunt. “Just fine. ‘To see Charvill. Because of the thought of love and companionship? No.
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