Wood brought up. He put down his hat and umbrella, rested his hands on his hips, and regarded Ann Veronica firmly. And they could talk, they found; and never once, it seemed, did their meaning and intention hitch. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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