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She was saying good-bye to childhood and home, and her making; she was going out into the great, multitudinous world; this time there would be no returning. “You are not going out—this evening, I trust,” that lady asked, a trifle dismayed. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. There was the stile on which Jonathan had sat, and he recollected distinctly the effect of his mocking glance— how it had hardened his heart against his mother's prayer.
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