She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. "Lord, if I can only remember to write it exactly as you told it!" He jumped to his feet. He would sit in his inner office and compose conversations with her, penetrating, illuminating, and nearly conclusive—conversations that never proved to be of the slightest use at all with her when he met her face to face.
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