All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. She produced from the depths of her pride the ugly investigatory note of the modern district visitor. But no matter how you phrase it, the end is the same. There it was—to be borrowed. Anywhere! Moonlight and music—pleasing, you know, but quite unnecessary. 192 Her skirt had ridden almost to her hips. “You needn’t be anxious about that! I shall contrive to live.
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