"It would be a thousand pities, wouldn't it, to put so promising a lad out of the way?" "Devil!" exclaimed the knight fiercely, "Give me the paper. It had showed up at an auction at Sotheby’s after someone had sold it. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Good-bye, for the pressent—ha! ha!" And, laughing loudly at his own facetiousness, he quitted the Lodge. Arrived at the secret door, she grasped the lever that opened it and placed the lantern on the floor. He had brought her here to this place—where her freedom was curtailed even more than at the convent so that a cavalier was very much needed—and only on Monday came again.
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