There’s a hansom coming round the corner. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. “Have to go now. ” “Oh Jesus. ’ ‘Oh, she’ll be safe enough, Gerald. This person—this Jonathan Wild, whom I beheld for the first time, scarcely an hour ago, in Wych Street, is—I know not why—my enemy.
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