On the right, stood a bulky figure, with a broken rattle hanging out of his great-coat pocket, who held up a lantern to his battered countenance to prove to the spectators that both his orbs of vision were darkened: on the left, a meagre constable had divested himself of his shirt, to bind up with greater convenience a gaping cut in the arm. She positioned it over her arm, placing the firing end in Rhea’s mouth. A lean young man in spectacles pursued her for some time, crying “Courage! Courage!” Somebody threw a dab of mud at her, and some of it got down her neck. A wide terrace then led to large iron gates,' over which were placed the two celebrated figures of Raving and Melancholy Madness, executed by the elder Cibber, and commemorated by Pope in the Dunciad, in the wellknown lines:— "Close to those walls where Folly holds her throne, And laughs to think Monroe would take her down, Where, o'er the gates, by his famed father's hand, Great Cibber's brazen, brainless brothers stand. ‘Gone!’ he said.
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